<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>cooyahfm.com &#187; N</title>
	<atom:link href="http://www.cooyahfm.com/category/artists/n/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.cooyahfm.com</link>
	<description>Streaming Reggae Music 24X7</description>
	<lastBuildDate>Tue, 12 Jan 2010 20:09:47 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0</generator>
		<item>
		<title>Ninjaman</title>
		<link>http://www.cooyahfm.com/2007/03/ninjaman/</link>
		<comments>http://www.cooyahfm.com/2007/03/ninjaman/#comments</comments>
		<pubDate>Tue, 27 Mar 2007 23:21:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[N]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[One of the most popular dancehall DJs of the late &#8217;80s and early &#8217;90s, Ninjaman was also perhaps the most controversial, thanks to his often violent, progun lyrics. His bad-man image overshadowed the fact that ...]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-701 alignleft" title="ninjaman" src="http://www.cooyahfm.com/wp-content/uploads/2007/03/ninjaman.jpg" alt="ninjaman" width="200" height="200" />One of the most popular dancehall DJs of the late &#8217;80s and early &#8217;90s, Ninjaman was also perhaps the most controversial, thanks to his often violent, progun lyrics. His bad-man image overshadowed the fact that he was a hugely talented freestyle lyricist, and the owner of a theatrical, stuttering delivery that made him a highly distinctive toaster. What was more, he did delve into social commentary at times, protesting war and the harsh realities of ghetto life rather than glamorizing their attendant violence. By the late &#8217;90s, Ninjaman was making far more headlines due to his turbulent personal life than his music, but even if his recording activities had tailed off, he remained a popular &#8212; and still polarizing &#8212; concert act.</p>
<p>Ninjaman was born Desmond John Ballentine on January 20, 1966, in Annotto Bay, in the Jamaican province of St. Mary. His family moved to Kingston when he was 11, and he started DJing a year later under the name Double Ugly. Initially performing for the Black Culture sound system, he moved over to the Kilimanjaro organization in the early &#8217;80s, and there got the chance to learn from Super Cat and Early B. He changed his name to Uglyman, then Ninjaman when another artist of the same name came forward. Kilimanjaro started its own label, and in 1987 Ninjaman got the chance to make &#8212; and self-produce &#8212; his first single, a duet with Courtney Melody called &#8220;Protection.&#8221; It was a success, and led to further hit collaborations under producer Lloyd Dennis in 1988, most notably &#8220;Cover Me&#8221; with Tinga Stewart and &#8220;Zig It Up&#8221; with Flourgon.</p>
<p>Over the next few years, Ninjaman recorded prolifically for a variety of producers, including King Jammy, Philip &#8220;Fatis&#8221; Burrell, Redman, Ini Kamoze, Bobby Digital, Gussie Clarke, and Steely &amp; Clevie, among others. His hits over the years 1989-1992 established his image as one of the most dangerous rude boys around: the controversial &#8220;Murder Dem,&#8221; the chilling &#8220;Permit to Bury,&#8221; &#8220;Border Clash,&#8221; &#8220;Laugh and Grin (Mad Ninja),&#8221; &#8220;Test the High Power,&#8221; &#8220;My Weapon,&#8221; &#8220;Above the Law,&#8221; &#8220;Reality Yuh Want.&#8221; He also continued to cut duets with partners like Cocoa Tea, Gregory Isaacs, and Linval Thompson, and teamed up with both Shabba Ranks and Admiral Tibett for &#8220;Time Is Serious.&#8221; As Ninjaman&#8217;s popularity began to approach that of Ranks &#8212; at least in Jamaica, where all the gun talk wasn&#8217;t yet a liability &#8212; the two struck up a spirited rivalry, trading barbs at many a concert clash.</p>
<p>At the height of his notoriety, Ninjaman christened himself with the alternate appellation &#8220;Original Front Tooth, Gold Tooth, Gun Pon Tooth Don Gorgon,&#8221; and inspired a legion of imitators with their own ninja-themed names.By 1993, however, Ninjaman&#8217;s gun-toting rude boy persona was beginning to spur a backlash. Criticized as irresponsible, he began to find it more and more difficult to get recording or performing gigs. He worked with producers Henry &#8220;Junjo&#8221; Lawes and Junior Reid during this period, but his career momentum was fading fast, and by the mid-&#8217;90s his recording activity had tailed off substantially. Battling problems with crack cocaine, in 1997 Ninjaman became a born-again Christian, and began performing gospel reggae tunes under the name Brother Desmond.</p>
<p>The switch wasn&#8217;t entirely permanent, however, leading to condemnations from some in Jamaica&#8217;s Christian community.That was only the beginning of a series of incidents that kept Ninjaman&#8217;s name in the headlines in spite of the decline of his recording career. True to the character he played in the 1999 film Third World Cop, he had several run-ins with the law during the late &#8217;90s; among other allegations, he was accused of raping a woman at knifepoint in his home, and &#8212; most seriously &#8212; murdering a taxi driver in late 1999. He was acquitted on those charges, but convicted of unlawfully possessing a firearm and ammunition, and sentenced to a year in jail (also in late 1999).</p>
<p>While serving his sentence, Ninjaman was reportedly assaulted by prison guards for attempting to shield his cellmate from a beating. Things didn&#8217;t calm down upon his release, either; in July 2001, he was rushed to a hospital after suffering several machete wounds, some to the head, from a family associate trying to break up a physical dispute between him and his common-law wife. (He was later charged with domestic assault.) Several months later, he was arrested for driving erratically. In the summer of 2002, he was arrested again following a profanity-laced tirade at the Reggae Carifest, which resulted in his being dropped from subsequent festival engagements. All Music-Steve Huey.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.cooyahfm.com/2007/03/ninjaman/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Natiruts</title>
		<link>http://www.cooyahfm.com/2007/03/natiruts/</link>
		<comments>http://www.cooyahfm.com/2007/03/natiruts/#comments</comments>
		<pubDate>Tue, 27 Mar 2007 23:13:17 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[N]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[The reggae roots band Natiruts was formed in Brasilia (Distrito Federal) in 1994 under the name Nativus. In 1997, the group launched the independent CD Nativus, which had a hit with &#8220;Presente de um Beija-Flor&#8221; ...]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-705 alignleft" title="natiruts" src="http://www.cooyahfm.com/wp-content/uploads/2007/03/natiruts.jpg" alt="natiruts" width="187" height="140" />The reggae roots band Natiruts was formed in Brasilia (Distrito Federal) in 1994 under the name Nativus. In 1997, the group launched the independent CD Nativus, which had a hit with &#8220;Presente de um Beija-Flor&#8221; and sold 40,000 copies. Sued by the band Os Nativos, they changed the group&#8217;s name after a long judicial battle to Natiruts. Reissued by EMI, the first album sold 450,000 copies. Povo Brasileiro had hits with &#8220;Povo Brasileiro&#8221; and &#8220;Proteja-se e Lute,&#8221; and Verbalize had success with its title track. All Music-Alvaro Neder.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.cooyahfm.com/2007/03/natiruts/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Nardo Ranks</title>
		<link>http://www.cooyahfm.com/2007/03/nardo-ranks/</link>
		<comments>http://www.cooyahfm.com/2007/03/nardo-ranks/#comments</comments>
		<pubDate>Tue, 27 Mar 2007 23:09:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[N]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Internationally renowned for his hair-trigger wordplay and easy fusion of politically conscious lyrics and bass-driven hooks, ghetto-born Jamaican reggae superstar Nardo Ranks is credited as one of the first dancehall artiste to crossover into the ...]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-708 alignleft" title="nardo_ranks" src="http://www.cooyahfm.com/wp-content/uploads/2007/03/nardo_ranks.jpg" alt="nardo_ranks" width="166" height="250" />Internationally renowned for his hair-trigger wordplay and easy fusion of politically conscious lyrics and bass-driven hooks, ghetto-born Jamaican reggae superstar Nardo Ranks is credited as one of the first dancehall artiste to crossover into the US mainstream. His smash hit single Burrup produced by C. ?Solgie? Hamilton on the Profile Records label (now Arista Records) features the unrivaled and unmistakable rhythm duo of Sly Dunbar and Robbie Shakespeare.</p>
<p>After reaching the Top 10 charts in US, Jamaica, Japan, Puerto Rico and parts of Europe with Burrup, Ranks followed up with Rikers Island (a duet with Cocoa Tea), True Story, and the number one hit Them a Bleach produced by Sly and Robbie on their Jamaica-based Taxi label.</p>
<p>A duel-threat top hit-maker and potent live performer, Ranks has toured the US, Caribbean, Europe and Asia, sharing the stage with international acclaimed reggae artiste&#8217;s such as Dennis Brown, Gregory Isaacs, Ninja Man, Wayne Wonder, Shaggy and Sean Paul.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.cooyahfm.com/2007/03/nardo-ranks/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Nicky Thomas</title>
		<link>http://www.cooyahfm.com/2007/03/nicky-thomas/</link>
		<comments>http://www.cooyahfm.com/2007/03/nicky-thomas/#comments</comments>
		<pubDate>Mon, 26 Mar 2007 07:30:17 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[N]]></category>

		<guid isPermaLink="false"></guid>
		<description><![CDATA[Nicky Thomas was born Cecil Nicholas Thomas in Portland, Jamaica, in 1949. His first hit in the islands was &#8220;Run Nigel Run,&#8221; produced by Derrick Harriot in 1969, but Thomas&#8217; most successful songs were recorded ...]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-823 alignleft" title="nicky_thomas" src="http://www.cooyahfm.com/wp-content/uploads/2007/03/nicky_thomas.jpg" alt="nicky_thomas" width="126" height="157" />Nicky Thomas was born Cecil Nicholas Thomas in Portland, Jamaica, in 1949. His first hit in the islands was &#8220;Run Nigel Run,&#8221; produced by Derrick Harriot in 1969, but Thomas&#8217; most successful songs were recorded with producer Joe Gibbs, including the wonderful &#8220;Love of the Common People,&#8221; which rode its reggae-pop sound into the U.K. Top Ten in 1970. Following a tour of Britain in support of the single that same year, Thomas decided to stay, and he continued to release his brand of pop-infused reggae from the U.K. until his death in 1990. Sort of a poor man&#8217;s Jimmy Cliff, Thomas produced a small but infectious body of work, and he deserves to be remembered on the strength of &#8220;Love of the Common People&#8221; alone, as well as for songs like &#8220;BBC,&#8221; a harsh criticism of Radio 1&#8242;s treatment of Jamaican reggae artists. All Music-Steve Leggett.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.cooyahfm.com/2007/03/nicky-thomas/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
